At 50 episodes long it isn’t void of filler, there is an episode about the characters playing soccer, but even that has a cheesy justification. The soundtrack by composer Naoki Sato is emotive and rich, and the songs have a distinct, modern vibe. The animation is brilliant, from its color palate, detailed background art, impressive fight scenes to the stylish character designs by Kenichi Yoshida (animator of BONES, Sunrise and various Studio Ghibli titles). Eureka Seven also has a variety of likable, interesting characters which we learn a lot about on Renton’s journey. It exceeds in its detail of its futuristic setting. Agriculture, religion, transportation, economy, social structure, flora, history and fauna are explored. It is obvious, again, from episode one that a lot of thought went into the Eureka Seven universe. This storytelling method aside Eureka Seven shines in every other area.
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This style tells the viewer straight away the series is about Renton’s emotional journey, and not an excuse for explosions. We learn about his thoughts, fears, hopes and doubts. Renton often narrates scenes and gives them his own context, as though he is speaking from a point in the future as homage to his long-lost sister. The series can seem slow for this reason. It doesn’t stop the show from showing scenes with mysterious sinister people, but their ramblings make little sense until later. The viewer only learns about the villains motives once he runs into them. Much like the fantasy novel Eragon by Christopher Paolini Eureka Seven’s story is explored from the eyes of the protagonist, Renton. His life begins to change when a giant robot piloted by a mysterious girl crashes into his house. Renton Thurston is a 14-year-old boy with big dreams and a contrasting dull reality. Eureka Seven’s focus is its character interaction and world building. On contraire to the fast paced storytelling of Fullmetal Alchemist, Eureka Seven took a more serious route. With little information to go off besides a fast paced trailer and catchy theme song, viewers could only assume it would fit the action-packed, plot-driven formula they know and love from animation studio. Die hard action fans were immediately proven wrong when the first episode Blue Monday, aired. Eureka Seven (2005)Īfter the worldwide success of Fullmetal Alchemist in 2003 Newtype USA marketed BONES’ next project, Eureka Seven (2005) as “their next big hit”.
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From there, they have created a stream of popular and successful series which are often named as ‘gateway titles’ for the anime medium: Wolf’s Rain (2003), Scrapped Princess (2003), Full Metal Alchemist (2003) and Ouran High School Host Club (2006) are just a number of these. BONES first step into anime was a collaboration with Sunrise to produce the critically acclaimed Cowboy Bebop (1998). A couple of members from Sunrise founded studio BONES in 1998. Sunrise is one of Japan’s biggest animation studios and is most famous for the Mobile Suit Gundam franchise which started in 1979 and still hasn’t stopped. In a best case scenario altering how you consume entertainment can help you pick up plot points you didn’t notice the first time, experience the story afresh or renew a flame for an old favorite. More lengthy titles like Bleach (2004), Naruto (2002) or Inuyasha (2000) have webpages dedicated to the filler arcs and urge viewers to skip these. In the anime world, watching shows like The Melancholy of Haruhi Suzumiya (2006) in a different order can help enhance the experience. Whether you watch the original Star Wars trilogy (1977) first, the remakes second, or simply ignore the new ones entirely is a matter of personal preference and passionate nerd debate. Within big franchises there has always been the question of whether it is worth approaching stories from a different sequence than the creators intended. Should Eureka Seven AO Be Seen Before Its Predecessor?
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